Nietzsche’s relationship to his contemporaries, as expressed in his writings, was often figured by corporeal imagery evocative of disgust. For instance, in On the Genealogy of Morality Nietzsche declared himself (and a hypothetical “we”) to suffer from mankind—which he then proceeds to describe as “maggot”—or worm-like. Nietzsche’s philosophical project can be interpreted as a visceral protest against, and attempt to overcome ("digest"), humanity. This paper argues that Nietzsche attempted through his writings to create a future community of like-constituted companions in his readers through a transmission of affect and education in taste. This would-be "community" is premised on a curious affective dialectic that seeks to transform disgust...